Carl Larsson
A Sweden Museum


Carl Larsson's Oil Paintings
Carl Larsson Museum
May 28, 1853–January 22, 1919. Swedish painter.
Carl Larsson

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110,680 paintings total

  

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william r clark
ross och andra sydpolsforskare pa 1800 talet utnyttijade fulviken pa den ensliga on kerguelen, ca 2000 km norr am antarktis.
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ID: 59236

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william r clark ross och andra sydpolsforskare pa 1800 talet utnyttijade fulviken pa den ensliga on kerguelen, ca 2000 km norr am antarktis.


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william r clark

1829-1912  Related Paintings of william r clark :. | ar 1802 tecknade den engelsks sjomannen matthew flinders denna lummiga och rofyllda scen fran kanguruon soder omadelaide vilken stari stark kontrast t | nedan | carsten niebuhr var den ende av fem danskar som kom levande fran en resa till arabien ar 1761 | endasr 400 | nicclo och maffeo polo forbereder sig for resan till kublai khans hov i peking |
Related Artists:
Samuel J.Reader
1853-1914
Franz Xaver Kosler
Vienna 1864-1905
Carlo Bononi
Italian, 1569-1632,Italian painter. He was among the last great painters of the Ferrarese school, his style uniting warm Venetian colour with the lyrical effects of light and elegant draughtsmanship of Ludovico Carracci. He was a pupil of Giuseppe Mazzuoli (c. 1536-89), but his early activity is little documented. The Martyrdom of St Paul (Pommersfelden, Schloss Weissenstein), which is indebted to Mazzuoli and combines elements of Ferrarese and Venetian traditions, may represent the earliest phase of his development. Later, through a study of the art of Ludovico Carracci, modified by a response to Dosso Dossi and to Correggio, he developed a more individual style. An altarpiece of the Virgin with SS Maurilius and George (Vienna, Ksthist. Mus.) is unanimously dated before 1600. It is probable that Bononi made study tours to Bologna, Parma, Verona and Venice. Between 1605 and 1610 he spent two years in Rome (Baruffaldi), a visit confirmed by three paintings of scenes from the Life of St Paternian in the church of S Paterniano in Fano; dated between 1610 and 1612 (Emiliani), these reflect a direct study of Caravaggio and of his early Roman followers, such as Orazio Borgianni.






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